Sunday Newsletter

Masses Today

6.30: Susan Coyne, Whitehall, (Anniv).
11.00: Ellen Reynolds, (Anniv).
6.30: Michael & Bridget Hanley and son Padraig, (Anniv).

AS I WAS SAYING.....

This is a day for great rejoicing. First of all, we welcome Martin Drennan among us on his first visit as our new Bishop. We hope this will be the first of many. We welcome John Hennebry, representing Gerry Horan, O.S.A, Provincial of the Irish Province. Gerry had a previous engagement abroad and simply could not be with us. We welcome also our Augustinian brothers, particularly those who served in Galway down the years. The Church you left some years ago is a very different Church to the one you entered this morning. We hope you found it a more welcoming church; you certainly found it a more open Church; you found a brighter church, a church with a joyful optimistic hue to it, a church that is designed for a celebrating community.

The most dramatic change is, without doubt, the antiphonal plan, where the priest and the people are joined together at the ambo and the altar. The plan is not at all new, having served the monasteries and seminaries down the centuries. What is new however is that the celebrant's chair, the ambo, and the altar are in the midst of the people, with the people facing each other either side of the wide axis running down the centre. This has perhaps been the most controversial aspect of the restoration. But it is also very obviously a central aspect of the renewal; and it was a deliberate, theologically informed architectural choice. It is not something one would fail to notice!

Some have complained of 'being distracted' by the people across from them. The notion of being 'distracted' from God by human beings is fraught with theological difficulties! If we pursue this line of reasoning, we would surely undermine a strong understanding of the Incarnation. In this antiphonal layout, the people across from ourselves represent a challenge rather than a distraction! And that challenge is to accept that, because of the Incarnation, those across from me are my brothers and sisters. Because, if I can't find God in them, I most surely will look in vain towards the tabernacle for him. But console yourself with the certain knowledge that the people directly across from you are engaged in an even greater struggle!

With the rededication of the 'new' Augustinian today we have reached the culmination of at least five years of hard work: meetings, days of collective reflection, 'endless' workshops, and seemingly interminable weekly gatherings of the Project Team. (What will we do with ourselves on a Monday night now?)

In deference to tradition, we will use two beautiful, ancient Augustinian chalices to celebrate our Rededication Mass. The small chalice was commissioned by the Augustinians of Banada in 1641. (The Galway Augustinian's were founded from Banada, Co. Sligo in 1500.) This little chalice can actually be dismantled into three separate pieces: the cup, the stem and the base. The more elaborate Francis Comyn or Galway chalice was commissioned for the Galway Augustinian's in 1721 when the friars lived and worshipped just down the street from here, where the Taibhdhearc theatre now stands. The baptismal font you walked by as you entered the Church this morning also began life in that little Church, probably around the same time, circa 1721.

So let it not be said that the present generation of Augustinians are insensitive to tradition, or worse still, ignorant of it! So, enjoy the day, and be proud of what you have achieved. It was truly a common enterprise.

-Dick Lyng


Items of Interest


The Augustinian Church

The design of the Augustinian Church in Middle Street was described as "Early English". It consists of nave, aisles, chancel and side chapels. The aisles are separated from the nave by an arcade of seven arches of equilateral form, with octagon piers of highly polished marble, surmounted with moulded capitals of the same material, which form a novel and striking feature in the building. The chancel is lighted by a traceried window in three bays, the nave by a triple lancet in front, and clerestory, single lights. It is open in front, and supported by four pillars of green veined marble, with capitols of Carrara marble. The slab is of pure Carrara marble, 9 feet 6 inches in length by 4 feet wide. The steps and landing are of highly polished Galway marble. The roof consists of framed principals of open timber. Inside the grand entrance to the church is placed a holy water font of black marble, designed in the Iouie order and executed by a Galway artist, Mr. Clare. It is probably one of the most splendid in any church in the United Kingdom.

This description appeared in 'The Dublin Builder' of September 1st, 1859, just a few weeks after the church was dedicated. The 'Mr. Clare' artist, referred to had a stone-works in Forster Street. The foundation stone of the church was laid by James Hardiman, the historian. In 1924, the new altar was reconstructed by Walter O'Flaherty, and a beautiful new marble altar rail, with brass gates was presented to the church by Miss Davenport. Our photograph today was originally taken about one hundred years ago, about the time a new organ was installed.

Today, the church interior looks very different to our photograph. The stained glass windows behind the altar have been replaced by an image of the Resurrection by Dublin artist, George Walsh. The walls and pillars no longer carry all that decoration. Whatever about the changes, it is still a building with a wonderful spiritual atmosphere, a welcoming church, especially on Sunday mornings when the choir get going.

(The above item appeared in the Galway Advertiser to mark the inauguration of our Summer Festival some eight years ago. Tom Kenny wrote it and it is available on the Kenny website as is a photograph of the Church taken in 1905. Even by that date the pillars had already been plastered).


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